TikTok World2026
Made for the moment.
Choose an event. See what happened in the room.
Tel Aviv Museum of Art
Visuals written live in code, driven by the room.
Live coded audio-visual performance
See pricing ↗The Circle
HaOman 17, Tel Aviv
VJ set and projection built for the night.
VJ set with content built for your event specifically
See pricing ↗Line Flux Convergence
Salame flour mill, Tel Aviv
A wall painted by hand, then mapped onto.
Custom animated graffiti
See pricing ↗Organic Mirror
Lost & Found, Tel Aviv
A screen that tracks bodies and answers them.
Interactive screen
See pricing ↗Tel Aviv
Mapping and video art for a commercial client.
Projection mapping onto one surface
See pricing ↗Crossing the Line
Imperial Hotel, Tel Aviv
Painted illusion at scale. Six million views.
Mural for a venue or a brand, with no event attached
See pricing ↗Imagining Utopia
Imperial Hotel, Tel Aviv
Painted illusion wrapping a whole room.
Custom animated graffiti
See pricing ↗Lost & Found, Tel Aviv
An interactive room with a projection hologram.
Interactive installation, built for your space
See pricing ↗The Mood Topography
Teder, Tel Aviv
A data sculpture the crowd built by using it.
Interactive installation, built for your space
See pricing ↗Have a space in mind?
Tell me about your event ↗Live performance
Live visuals, mixed on the night, to the music in the room.
Projection and mapping
Light cut to the exact shape of a wall, a facade or an object.
Interactive
Visuals that react to people. A button, a camera, movement, a sensor.
Painted surfaces
Live painting, murals, and hand-painted surfaces animated with projection.
What clients say
GooglePlaceholder text, here to show the layout. These are not real reviews — replace them with real ones before going live.
A real client review goes here. Two or three lines describing the event, what it needed, and how it went on the night.
A second review. The convincing ones name the event and say what was difficult about it.
A third. Short enough to read at a glance, specific enough to sound like a person rather than a testimonial.
What it costs
NIS. Every figure is a starting point, not a quote.
Live performancefrom 3,500
VJ set, library visuals adapted to your event
from 3,500
Live coded audio-visual performance
from 6,000
VJ set with content built for your event specifically
from 9,000
Projection and mappingfrom 3,500
Video art piece delivered as a file, with no attendance
from 3,500
Projection mapping onto one surface
from 6,000
Projection mapping onto a facade or several surfaces
per project, typically from 20,000
Interactivefrom 10,000
Interactive screen
from 10,000
Interactive installation, built for your space
per project, typically from 18,000
Painted surfacesfrom 5,000
Live painting at your event, up to 6 hours on site
from 6,000
Custom animated graffitiI paint it by hand, then the projection animates what I painted.
per project, typically from 15,000
Mural for a venue or a brand, with no event attached
from 5,000
Clubs and venues with their own gearfrom 3,000
You have the projector, screen and signal. I bring a laptop and a controller.
VJ set from my existing visual library, up to 4 hours plus an hour of setup
from 3,000
Live coded audio-visual set, up to 2 hours
from 3,500
Add-ons
- Extra performance hours
- 800 per hour
- Additional content build days
- 2,500 per day
- On-site rehearsal or tech day
- 2,500
- Site survey and technical plan
- 1,500, credited back if you book
- A second screen or surface
- +40% of base
- Festival days after the first
- 60% of day one
- Booking with under 14 days notice
- +25%
- Licence to reuse the content on your own channels
- From 40% of the production fee, per year
How a booking works
What I bring, and what I need from you
I bring
- Laptop, controller, software
- The visual content agreed in your proposal
- Setup, testing, a full run-through
- Operation for the booked hours
- Projection equipment as agreed for your booking
You provide
- Power at the projector
- Access for load-in and load-out
- Control of the room lighting
- Setup hours before doors
Who you're hiring
I'm Paul Rozenboim. I combine motion, projection, installation and painting to make a space part of the experience. Over a decade working with studios, startups and tech companies taught me to deliver to a brief, a spec and a date that doesn't move.
I run the events myself: arrive early, set up, test and operate the work throughout the event. From the first conversation to load-out, you work directly with me.
Questions
- How do we hold the date?
- A signed confirmation holds the date. For specially built content, half is invoiced on signing.
- What if we cancel?
- From signing: inside 7 days, half the fee. Inside 3 days, all of it.
- Who brings the projector?
- I do. Mine covers most rooms. A bigger surface needs a bigger one, and that is inside the quote after the survey.
- When do I pay?
- Within 30 days of the event. Content built specially is invoiced half on signing.
- How far ahead should we book?
- Three to four weeks. Under 14 days costs 25% more.
- Can the visuals be made for our brand or event?
- Yes. Choose visuals adapted from my library or content built specifically for your event. We agree the creative direction and scope in the proposal.
- What does the venue need to provide?
- Power near the projector, access for setup and load-out, control of the lighting, and setup time before doors. The site survey helps us work out the exact arrangement.
Tell me about your event
Five questions. I reply within two working days.